In Cherie Dimaline’s novel “Empire of Wild,” a trio of women spanning three generations endeavors to rescue a family member from the clutches of a werewolf-like entity known as the Rogarou. Their mission involves locating a missing husband and safeguarding their territory from corporate encroachment.
Renowned for its raw, alluring, and intense narrative, “Empire of Wild” secured the top spot in Indigo’s 2019 book rankings, edging out prominent works such as Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
An investment of approximately $4 million is underway to bring an Indigenous-led creative team on board to adapt the novel into an opera, with plans for the grand premiere set for Toronto next spring. This bold move aims to attract a younger audience and opera novices while potentially challenging traditionalists accustomed to the classical repertoire.
Set in the Penetanguishene Métis community of Georgian Bay, Ontario, where author Cherie Dimaline hails from, “Empire of Wild” resonates deeply with composer Ian Cusson, a fellow community member. Cusson drew inspiration from his childhood stories, recognizing elements of the Rogarou from his mother’s tales.
The creators aimed to craft contemporary characters that modern audiences could relate to. The opera features diverse characters, including queer individuals and a working-class family navigating extraordinary circumstances in their lives.
Elisabeth St-Gelais, portraying the lead role of Joan, finds the story’s themes relatable to young audiences. She emphasizes Joan’s flaws and struggles, portraying a realistic portrayal of coping mechanisms during crises.
At its core, “Empire of Wild” delves into themes of power dynamics, defiance, and fortitude. The narrative follows Joan’s quest to reunite with her husband amid sinister forces at play, relying on ancestral magic passed down through generations.
The production showcases a diverse cast embodying characters inspired by Métis folklore, with performers like Marion Newman and Evan Korbut infusing their talents into the portrayal. The story encapsulates themes of resilience and survival, resonating with Indigenous experiences of enduring and evolving amidst challenges.
Led by Indigenous creators, the opera presents a unique narrative blending tradition and innovation. It champions Indigenous voices and perspectives, fostering a collaborative and inclusive approach to artistic creation.
The opera team envisions this inclusive creative process as a model for future productions, advocating for a holistic and equitable approach to artistic endeavors. They aspire to see this ethos embraced across various opera productions and companies as a testament to the power of inclusive and diverse storytelling.